definition of symbol, examples of symbol, Literary Terms, Literary Device, |
Definition and Examples of Symbol: Literary Terms
Symbol:
Broadly, anything that signifies, or stands for, something else.
In LITERATURE, a symbol is usually something concrete---- an object, a place, a
CHARACTER, an action--that stands for or suggests something abstract. In Joseph
Conrad's story "The Lagoon,” darkness is a symbol of evil and light a
symbol of good. A symbol may be universal or private. Darkness and light are
universal symbols of evil and good. Climbing is a universal symbol of progress;
descending, of failure. The dove is a universal symbol of peace. In contrast,
the great white whale in Herman Melville's NOVEL Moby-Dick is a private symbol
and a complex one. Many books and articles have been written in an effort to
explain it, but like many great private symbols in literature and art, its
significance is complex and elusive.
A symbol differs from a literal IMAGE, from a METAPHOR, and
also from an emblem in an ALLEGORY. Consider a forest or a wood. In the
following lines, woods is an image, presented literally as a place one is going
through:
Over the river and through the woods
To grandmother's house we go.
If the woods were pictured in more detail-snow-covered pines,
elm branches black against the sky—it would still be a literal image, although
a more vivid one.
However, in the statement, “From the helicopter, we were able
to see the wind farm, a forest of windmills," forest is a metaphor. The
speaker is not seeing a real forest. A group of windmills is being indirectly
compared to a forest. In Dante's allegory, The Inferno, Dante awakens to find
himself lost in a wood. The wood, the reader is told, is Error. On an
allegorical level, Dante is lost in the error of his ways, or in sin. The only
way out of the wood is through the hazardous landscape of hell (the recognition
of sin) and purgatory (the renunciation of sin). The wood functions as an
emblem because its significance is precisely determined by an allegorical
CONTEXT, in which abstract concepts have been translated into a kind of picture
language.
In William Shakespeare's As You Like It, all the main
characters turn up sooner or later in the play's principal locale, the Forest
of Arden. As the action of the play unfolds, the forest becomes richly
symbolic, even though it remains a real forest. It is a place of escape from
and banishment from civilization, with both the advantages and disadvantages
that involves; a place of freedom; a dream world, where one can act out
one's fantasies; a place of transformation, moral regeneration, and
reconciliation; and, ultimately, a place from which one must return. Like many
literary symbols, the Forest of Arden both embodies universal suggestions of
meaning--the forest as a place of escape from civilization-and takes on private
significance from the way it is treated in the play.
See also:
ALLEGORY,
IMAGE,
METAPHOR,
SYMBOLISM,
SYMBOLIST MOVEMENT.
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