The Legend of Good Women,Geoffrey Chaucer |
The Legende of Good Women – Geoffrey Chaucer
The Legende of Good Women is quite well-known from the works of Chaucer's Italian period. Although the work was left
unfinished by him, it well testifies to his literary art as a great master.
The Legende of Good Women is a collection of
legends regarding some celebrated women, mentioned in classical legends and
romances. The Italian influence on the work is mainly perceived in Chaucer's
materials, taken from, as noted already, classical sources.
Like The Canterbury Tales, this work may broadly
be subdivided into the Prologue and the Tales. The Prologue is, however,
allegorical and based on the dream convention. The poet, in his dream, has a
vision of his meeting with Cupid, the god of love, by whom he is reprimanded
for writing heresies against women and drawing particularly the faithless
nature of the woman in Troilus and Criseyde. He is required by the god to make penance by writing in praise of good women – beautiful, virtuous, and
honorable matrons. The Prologue, thus, presents allegorically the occasion of
Chaucer's composition of the Legends of Good Women.
The main matter of the poem, however, consists
of the collection of the accounts of loving and faithful women. Chaucer's task
here is to tell 'the Saints Lives of Cupid' the legends of those heroines who
have been martyrs for love. The poet includes here the legends of such heroines
as Cleopatra, Medea, Lucree, Ariadne, Philomela, Thisbe, and others. His
objective is to dwell on womanly grace as well as virtue and to emphasize what
is the matter of beauty, loyalty, and pity in womanhood.
Just like The Canterbury Tales, The Legende of
Good Women was left unfinished by the poet. Possibly, Chaucer got tired of
relating almost the same account of womanly beauty and virtue in each case and
showing how good and grand each of his heroines was.
Yet, The Legende of Good Women demonstrates amply certain distinct marks of Chaucer's literary genius - his gift of story-telling in verse, power of characterization, descriptive art, and marvel of versification. Finally, the Prologue has a charm and a liveliness, and contains lovely natural scenes
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